On yet another museum visit, Chris and I checked out the current temporary exhibit at the Canadian Museum of History, “Notman, Visionary Photographer.” This exhibit is the first retrospective entirely devoted to exploring the work of William Notman, a photographer originally from Scotland, who immigrated to Canada and over the course of the late 19th century founded a chain of studios under the name Wm. Notman & Son.
Recently Chris and I ventured to the Canadian Museum of History to catch the temporary exhibit, “Medieval Europe: Power and Splendour” before it closed. In a past undergraduate life I actually was a bit of a medievalist, so I was pretty interested to check out this exhibit.
Yesterday Chris and I took advantage of the beautiful long weekend to take in one of the last days of the Butterflies in Flight exhibit at the Canadian Museum of Nature, and let me tell you, this one was really quite magical.
This past Wednesday on the 6th of December, I was fortunate enough to be able to attend the opening of a new special exhibit hosted by the Canadian War Museum, called “She Who Tells a Story – Women Photographers From Iran and the Arab World.” The exhibit travelled to the War Museum from the Museum of Fine Arts in Boston where it was curated by Kristen Gresh. The exhibit featured the photographic work of twelve prominent contemporary female photographers who had roots in the Middle East. Each photographer captured images that reflected the lived experiences of women and girls in the Middle East within the context of war, the policing of bodies, and other unique factors which shape their daily lives. Gresh was in attendance to open the exhibit, and spoke about how her time in Cairo was what led her to the works and artists featured in the exhibit. Early in the exhibit itself, this story is featured:
Today I was lucky enough to be able to attend a lecture with my colleagues at the Canadian Museum Association, which was held at the Centre for Global Pluralism, and featured Dr. Maureen Matthews. Matthews is the curator of Ethnology at the Manitoba Museum in Winnipeg. In the talk, “We are not quite All Treaty People yet,” Matthews discussed the work she and the museum have done since her arrival there five years ago to not only improve the exhibits which discuss Indigenous people in Manitoba and Canada at the museum, but also the initiatives she has made in both the repatriation of Indigenous artifacts and fostering long-term, trusting and honest relationships with Indigenous communities in order to ensure that museums are telling stories for them, and not just about them.
While I was visiting the Royal Ontario Museum, I was fortunate enough to be able to see an exhibit called “The Family Camera.” This was a special exhibit, which unfortunately has finished it’s run now, so if you didn’t get a chance to see it, I’m sorry to say that you really missed out.
I’ve been spending some time digging through the online archive for The Ottawa Journal recently, and I have to say that I’ve stumbled upon some pretty fun columns. One of the first ones to catch my attention was published on May 27, 1886. It provides an account of an address given the previous night by Sir William Dawson to the Royal Society of Canada. Dawson suggested that it would be an advantageous idea for Ottawa to have a National Museum. Considering that there are now four directly in Ottawa and another just across the river in Gatineau, I’d say he was probably on to something….