Lately I’ve been looking through newspaper clippings to try to find anything I can about the national museums of Canada. In one of my online expeditions, I came across a clipping titled: “Keenly Interested in Fish Culture: Children So Numerous Lecture Given Twice.” Yes, you read that correctly.
This past Wednesday on the 6th of December, I was fortunate enough to be able to attend the opening of a new special exhibit hosted by the Canadian War Museum, called “She Who Tells a Story – Women Photographers From Iran and the Arab World.” The exhibit travelled to the War Museum from the Museum of Fine Arts in Boston where it was curated by Kristen Gresh. The exhibit featured the photographic work of twelve prominent contemporary female photographers who had roots in the Middle East. Each photographer captured images that reflected the lived experiences of women and girls in the Middle East within the context of war, the policing of bodies, and other unique factors which shape their daily lives. Gresh was in attendance to open the exhibit, and spoke about how her time in Cairo was what led her to the works and artists featured in the exhibit. Early in the exhibit itself, this story is featured:
Today I was lucky enough to be able to attend a lecture with my colleagues at the Canadian Museum Association, which was held at the Centre for Global Pluralism, and featured Dr. Maureen Matthews. Matthews is the curator of Ethnology at the Manitoba Museum in Winnipeg. In the talk, “We are not quite All Treaty People yet,” Matthews discussed the work she and the museum have done since her arrival there five years ago to not only improve the exhibits which discuss Indigenous people in Manitoba and Canada at the museum, but also the initiatives she has made in both the repatriation of Indigenous artifacts and fostering long-term, trusting and honest relationships with Indigenous communities in order to ensure that museums are telling stories for them, and not just about them.
While I was visiting the Royal Ontario Museum, I was fortunate enough to be able to see an exhibit called “The Family Camera.” This was a special exhibit, which unfortunately has finished it’s run now, so if you didn’t get a chance to see it, I’m sorry to say that you really missed out.
I’ve been spending some time digging through the online archive for The Ottawa Journal recently, and I have to say that I’ve stumbled upon some pretty fun columns. One of the first ones to catch my attention was published on May 27, 1886. It provides an account of an address given the previous night by Sir William Dawson to the Royal Society of Canada. Dawson suggested that it would be an advantageous idea for Ottawa to have a National Museum. Considering that there are now four directly in Ottawa and another just across the river in Gatineau, I’d say he was probably on to something….
I was recently in contact with the curator at the Fort St. John North Peace Museum, and my exhibit is now up and on display to the public! She told me that people have been visiting the museum specifically to see this exhibit. As far as I’m concerned, that means I’ve done my job.
On my visit to Toronto, I was probably the most excited to go to the Royal Ontario Museum. All I had ever heard about it told me that it would be huge and hugely overwhelming – I wasn’t disappointed in this regard.
I explored every exhibit in every room on every floor, all in one day. It took me about four hours, and at the end of my visit I realized that trying to see the entire ROM in one day was a mistake – there’s just way to much to try and take in. If you have never been, I would definitely suggest taking it a floor, or maybe two, at a time, to really get the full experience without completely exhausting yourself. I think for myself, I plan to focus on special exhibits and my favourite galleries in future visits.